Carole Ann Ford
Birthday: 16 June 1940
Height: 155 cm
Carole Ann Ford was born in June 1940 and first appeared in a film at the age of eight. Following acting and elocution lessons, she started doing commercials and walk-on work, and her first proper role was in the play "Women of the Streets." She continued working in theatre, film (including The Day of the Triffids (1963)) and television (...
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Carole Ann Ford was born in June 1940 and first appeared in a film at the age of eight. Following acting and elocution lessons, she started doing commercials and walk-on work, and her first proper role was in the play "Women of the Streets." She continued working in theatre, film (including The Day of the Triffids (1963)) and television (including Emergency-Ward 10 (1957), Moonstrike (1963), Compact (1962) and Z Cars (1962)). Aftering leaving Doctor Who (1963), Carole worked mainly in the theatre. Her second daughter, Tara, was born in 1977. The same year she hurt her back filming a commercial, and suffered an extreme reaction to the pain-killers she was given. She subsequently became very ill, and has acted only occasionally since - though she did reprise her role as Susan in the twentieth-anniversary story Doctor Who: The Five Doctors (1983). She is currently teaching voice, presentation skills and dialogue coaching to politicians, businessmen, after dinner speakers and actors.
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It was a tiring schedule on the show. We often recorded them as if they were live, without any break...
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It was a tiring schedule on the show. We often recorded them as if they were live, without any breaks for nearly twenty-five minutes. The air conditioning wasn't very good in the studios and we really sweated our heads off and the TARDIS console would keep going wrong because of the heat. I would have been happy to have left earlier.
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We all had a great deal of fun doing 'The Five Doctors'. Richard Hurndall was marvellous, spooky act...
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We all had a great deal of fun doing 'The Five Doctors'. Richard Hurndall was marvellous, spooky actually. He hasn't recreated him - he hasn't tried to do another William Hartnell and yet somehow or other he looks so much like him. I suppose that's John Nathan-Turner's doing, actually - casting him, knowing the sort of performance he'd give. John is lovely - everybody gets on well with him
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It never had to be made up to time, but we certainly used to put some of our own ideas into it simpl...
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It never had to be made up to time, but we certainly used to put some of our own ideas into it simply because of continuation of character. When you are doing it for a long period like that, inevitably new directors come in who don't necessarily know every aspect of your character, and there are writers to come on to the programme likewise, and so you have to change things when you know your character just wouldn't be doing this.
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The part I was originally offered ended up being something completely different, and if I'd known I ...
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The part I was originally offered ended up being something completely different, and if I'd known I was going to be asked to do the lady I finished up doing for a year, I wouldn't have been quite so happy to do it. I was doing another television play, and up in the control box was not only the director of the programme I was doing but also Verity Lambert and Waris Hussein. I've never asked her what she was doing up there, I presume she was just a friend of the man directing it. Whether or not she said to him 'I'm looking for someone for this part' and he said 'Well come and have a look at this girl', I don't know. Anyway, they saw I was a good screamer and offered me the part.
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Bill Hartnell was lovely. There was a great team feeling. We were in contact with David Whitaker and...
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Bill Hartnell was lovely. There was a great team feeling. We were in contact with David Whitaker and Mervyn Pinfield all the time. It was a great big cumulative business - a much more chummy, family-type business than I think it is today, possibly because it's such a big production now.
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The mix of stories was fantastic - the science-fiction ones were great, the historical ones were won...
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The mix of stories was fantastic - the science-fiction ones were great, the historical ones were wonderful. I suppose the historicals came out slightly better. John Lucarotti was a great writer. My favourite story was 'Planet of Giants'. The sets were superb - you almost didn't need to act. Mind you, there were ones that I wasn't so keen on, such as 'The Edge of Destruction'. We went mad for two episodes, and I think that was simply because none of us knew what it was all about - we just didn't know what we were doing. And not only because it was so quick - it was frankly so weird and whenever we asked why we were behaving in a particular way we were just told to get on with it and say the words!
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I left Dr Who after 18 months as my character was going nowhere. In truth, I wished I had never gone...
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I left Dr Who after 18 months as my character was going nowhere. In truth, I wished I had never gone into it. Afterwards all the scripts that came my way were for 15-year olds.
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Carole Ann Ford's FILMOGRAPHY
