Unfortunately, Lucy Walker's "Buena Vista Social Club: Adios" plays more like a well-intentioned but unsatisfying addendum to Wenders' movie and Cooder's recording.
Many will have wondered what happened to the veteran Cuban musicians profiled in Wim Wenders's 1998 cult classic, Buena Vista Social Club, and Lucy Walker provides some of the answers in this genial if fitful documentary sequel.
Still, as nostalgia trips go - was 1999 almost two decades ago? - this offers a fairly even balance of news update, fan service and, as the title implies, a goodbye.
Despite any shackles, social or otherwise, music will always serve as a mode of liberation, an expression of love, and Buena Vista Social Club: Adios passionately asserts that idea.
Adios is less engaging than Walker's earlier work, with little of the poeticism she displayed in Waste Land and The Crash Reel. It surely doesn't help that she's stuck picking through Wenders' leftovers ...
Adios feels both disorganized and unnecessary, like an encore staged after the house lights have gone up and most of the audience has exited the building.